Fatemeh Motamed-Arya

Khosro Paziresh, poor inventor of a magical washing powder went to see the CEO to manufacture his invention But accidentally fell into the elevator shaft.

Hamid Afshari, the secretary at the courthouse (Parviz Parastui), is running out of money to buy a computer for his son. Desperate, he plans to kidnap Farzan, the son of Mr. Zare, a rich party that had a trial in court. For this, he takes for accomplice Asghar, a gangster already condemned. Asghar locks Farzan in a villa in the suburbs. To catch the kidnappers, Mr. Zare feigns a state of emergency and is hospitable. Hamid Afshari rushes to the hospital to inquire about his state of health. Roya, the nurse who informs her (Fatemeh Motamed-Arya), seems very welcoming and helpful. Finding her to his liking, Hamid feels very quickly in love with her...

When Fereydoun's children put him in a nursing home, his ex-wife Shokoo takes him to her house although her new husband does not quite approve.

Sudabeh returns to Iran after years to escape the punishment of conscience, but he needs to tell a secret that it is difficult to tell a secret ...

Taher Mohebi is a well-known writer who, after witnessing a violent murder, breaks down and spends three years in a mental institution. After release he is told that things are just as they were before, but his relentless hallucinations make him want to return to the institution.

A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.

A young homeless girl supports herself as a surrogate mother for money. A human rights attorney tries to help her change her life, but ithe challenges seem insurmountable. This is a rarely seen side of Iranian society.

In this Iranian film, social worker Mina (Fateme Motamed-Aria) tells the reformatory head they should offer genuine emotional feedback to their charges, but she withdraws when the reality of such idealistic proposals becomes evident. Young Medhi (Hussein Soleimani) is troubled after the death of his mother. He views Mina as the mother he needs, but Mina is wary. Shown at the 1998 Fajr Film Festival.

The story is set during an upsurge in the Nagorno-Karabakh conflict and revolves around an old, sick ex-forestry worker and his wife Nabat, whose son has died in battle.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

An old Iranian man disappears while searching for a friend who's been dead ten years, so his agitated daughter enlists her estranged husband to look for him; the husband puts his foot down at first but soon finds himself cruising the streets of Tehran with his best friend, searching for the old rascal and cursing all the way.

A fairy grants wishes in Tehran through a remote control.

Two old writers who one of them is returned to Iran after 38 years because of his son's suicide, are going on a trip to the grave of that son.

A rich couple Sina and Mina want to get divorce and go to the marriage office. But when Mina notices a young girl who her father is forcing her to get marry she decides to help her which is only the beginning of the troubles.

Niloofar is a twelve-year-old girl whose dream is to read and write, but she lives in a village where education is only for boys. Her mother, a well-known midwife, insists that Niloofar become her apprentice. While assisting her mother during a delivery, Niloofar meets a feminist woman who undertakes to teach her in secret. Unfortunately, in exchange of a palm tree field, Niloofar's father promises her in marriage to an older man once she becomes a woman. Horrified by this notion, Niloofar does everything in her power to postpone her first periods. Eventually, the inevitable occurs. HOwever, Niloofar, who is determined to keep her freedom as long as possible, arranges to conceal the fact from her family for another two years until the truth can no longer be hidden. Then, rather than live in a marriage without love, Niloofar runs away with her friend. Shocked, her family considers itself dishonored and sends her step-brother to track her down

Behrouz Vossoughi, legendary Iranian actor, leaves his country just before the revolution in 1978, and he could never return to his homeland. This is the story of his journey, living in exile.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

An exploration of the psychological effects of war on a middle-class Iranian family who flee Teheran following a night air raid.

The personal life of a couple is challenged when the wife gets a promotion over her husband and becomes his boss.

The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.

At the age of 9, due to the poverty of the family, Aitkin is sold to a person who has two wives and several children and marries him, she runs away from home due to the beating of her husband.

In 'Once upon a time,' ('Yeki Bood Yeki Nabood', 2000), a magical letter transports two men, Fahrad and Iraj, to a small house in the middle of the countryside - and into a world that's filled with cute talking animals.The men are happy to go along with it, but when the animals follow them back to the city, there are much bigger problems to solve. A delightful film for young children.

This entertaining real action, puppets movie narrates the adventures of a stouthearted boy who is kidnapped by two bandits. During the abduction, he will help a girl, he meets, who has been held prisoner in her room for her entire life. After failing a course for several times, Kolah Ghermezi finally passes it and enters a higher level. He returns home and happily shows his marks to Aghaye Mojri and Narges; who are supposed to be his parents now. Aghaye Mojri promises to buy a bicycle for him as a gift. However, he does not have adequate money to buy that. The news of Kolah Ghermezi’s success is broadcasted on TV, then his uncle calls him and invites all of them to his luxurious house. He gives a nice and huge bicycle to Kolah Ghermezi as a gift.

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.