Vanni Corbellini

Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.

Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.

Stourley Kracklite, a driven, detail-obsessed architect, travels from America to Rome with his much younger wife, Louisa, to oversee an architectural homage to a personal hero, 18th-century master builder Etienne-Louis Boullée. En route by train, Stourley and Louisa conceive a much-wanted child — but Stourley's obsession with his wife's expanding belly, her perceived infidelity, and his own recurrent bouts of abdominal pain reach epic and dangerous proportions.

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

Ulisse, Fulvio and Domenico decide to rent an apartment together in order to live with their modest work. However the three encounter any difficulties that have forced them to always be one step away from starvation. Ulisse has to maintain his wife and daughter selling recordings of important foreign singers, Fulvio has the task of reviewing silly scandals of celebrities instead of writing articles for major artists, while Domenico must keep his wife and children going to make love with old single pensioners.

The son of a university professor discovers his father's secret life and has to decide what to do about it.

Gilberto, 50enne, si fa coinvolgere in una cosiddetta speed-date, una gara in cui i protagonisti devono trovare un partner in 3 minuti. Arrestato, deve confessare tutto in presenza della moglie che lo sbatte fuori di casa. Rifugiatosi da amici scopre che il suo migliore amico è amante della moglie e comincia a tentare di avviare nuove relazioni che falliscono tutte.

A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.

The paths of five people—a French archaeologist, his Greek assistant, his daughter, her journalist friend, and an elderly teacher who is a permanent resident of the area—cross at an archaeological excavation site during the autumn equinox. a permanent resident of the area, intersect at an archaeological excavation site during the autumn equinox. Next to the ancient ruins, the age-old game of love and deceit is replayed. A game of hide-and-seek, quite obvious.

The life of Amedeo Modigliani, a painter and a genius.

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The body of one of the Villa owners is found lifeless in the tub. The accusations are immediately turned against the plumber.

In Perugia, Luca, a lawyer investigates mysterious facts that happened in the city and even got emotionally involved. The rather complicated cases are those of a jealous murderess girl, of a surgeon who kills a colleague who had helped him to face a dangerous intervention to become a woman, of a plumber who is suspected of murdering an heiress while the real guilty is the nephew who would like to take possession of a huge fortune.