D.W. Griffith

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

Mary Pickford's name remains inseparable from the legend of American cinema. She invented the star system at the beginning of the 20th century, and was the biggest star ever known, not just in Hollywood, but worldwide, at a time when actors didn't even have their names on movie posters. She was more than a pioneer, she was a jack-of-all-trades: world-famous star, producer and formidable businesswoman, screenwriter and director in the shadows, studio boss, Mary Pickford alone embodied the entire legend of cinema and the advent of women in that particular era.

A collection of 2 minute documentaries that tell not only the historical facts of WW1, but also the stories of those most involved and others greatly affected by the day to day events. The deadly serious to more light-hearted, this has it all compiled from the vast resources of the Imperial War Museum.

A look at the parallel lives of Charlie Chaplin and Adolf Hitler and how they crossed with the creation of the film “The Great Dictator,” released in 1940.

This documentary traces the life and work of the legendary "America's Sweetheart" Mary Pickford, silent film star, movie pioneer and keen businesswoman. Pickford's life also parallels an even larger story, telling of the birth of the cinema itself.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

Based on the first centenary of the largest exporter of films in the world, that is Hollywood, is the story told by its protagonists, actors and writers and other people who made life in this business, interspersing images of famous movies.

A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.

The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.

Called "the first lady of the silent screen," Lillian Gish was the archetypal silent film heroine — the delicate damsel in distress, stranded on a swift-moving ice floe, cowering before a sadistic brute. The film showcases generous footage of her most memorable performances. In this Emmy-award winning documentary, the celebrated actress reflects on her life and work spanning the 20th century, particularly her years as D.W. Griffith's favorite leading lady and collaborator.

A penetrating documentary of a legendary filmmaker, narrated by the renowned film critic Richard Schickel. Excerpted works include “Birth of a Nation”, the dramatic fire scene in “Way Down East”, and the epic spectacle of “Intolerance”. The gifted and intuitive Griffith was more concerned with ideas and stories of his own choosing rather than box office draws.

A documentary of Hollywood's first great Latin Lover, the contradictions in his personal life, and his premature death.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

The prelude to our picture is the record of an intimate conversation between Mr. D. W. Griffith and his friend Mr. Walter Huston, which occured on an evening in the Spring of 1930. Here for the first time, Mr. Griffith relates the colorful childhood experiences which led him to the making of "The Birth of a Nation."

Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.

Calumny is one of the most despicable crimes against our neighbor, and while the wife in this story acted conventionally, she nevertheless maligned the other woman simply because of her profession, an actress. While out on a shopping tour, the wife and her husband enter a store, leaving their little child in the auto in the care of the chauffeur. This gentleman pays but scant attention to the child, so the little one wanders off and strolls into the stage door of a theater during the matinee. The parents upon their return to the auto discover the child's absence and trace him to the theater stage, where they find him in the arms of one of the show girls. The mother matches the child from the girl's arms, scornfully exclaiming, "How dare you contaminate my child with your touch?" For this remark, together with the derisive laughter it occasions, the girl vows to be avenged.

Little Billy, the bootblack, finding luck against him, decides to move to some other town. To do this he must walk, as he hasn’t the wherewithal for a railroad ticket. While trudging through the country, he falls into the hands of a couple of sinister-looking tramps, and they at once, by threats, force him to beg for them. A day or so later, the tramps hold up an old man, and while procuring his money throw him down with such force as to unintentionally kill him. Panic-stricken at their awful deed, they feel that the boy’s knowledge of the affair will prove disastrous for them, and so they decide to get rid of him. Through the sagacity of a dog the boy is saved and the tramps are captured.

Seamen Enoch Arden returns home after a long absence marooned on a desert island. At home he finds his wife married to another, and though he loves her, he cannot bear to disrupt her current happiness.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

At a political club, the members debate whose bust will replace that of Theodore Roosevelt. Unable to agree, each goes to a sculptor's studio and bribes him to sculpt a bust of the individual favorite. Instead, the sculptor spends their fees on a dinner with his model during which he becomes so inebriated that he is taken to jail. There he has a nightmare, wherein three busts are created and animated from clay (through stop-motion photography) in the likenesses of Democrat William Jennings Bryan and Republicans Charles W. Fairbanks and William Howard Taft. Finally an animated bust of Roosevelt appears.

A woodsman leaves a hut followed by a woman with their baby. Nearby some men chop down a tree. The baby is left outside the hut, but an eagle flies away with it.

Sisters guarding their house from a burglar set upon stealing their daddy's money.

At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.

Believed to be the first film to feature cannibals.

A young woman (Linda Arvidson) is kidnapped by a band of opportunistic Chinese slavers, led by devious Pong Lee (Harry Solter). A resourceful female police operative (Marion Leonard) is determined to rescue her, and tracks the mastermind of the kidnap plot, Hendricks (George Gebhardt). Though successful in her rescue effort, the rescuer ends up being made a prisoner herself. The slavers plan to make her the victim of a pistol shot to be triggered by the hands of a clock. The heroine is rescued by police seconds before the hands of the clock reach the "fatal hour".

A haughty politician, on seeing a satirical cartoon in a newspaper, rushes to the paper's offices to shoot the cartoonist. On discovering the cartoonist is a pretty woman, he falls instantly in love and wastes no time in trying to woo her.

Pretty Miss Chrysanthemum has but little to say as to the disposal of her heart, at least, such is the custom in Japan. Her parents attend to that for her. However, pretty little O Yama Sum had a will of her own, and casting tradition to the winds, insisted upon making her own choice. The Grand Daimio has long loved the pretty O Yama and presents himself before her mother in quest of her hand. His offer is scorned by O Yama, for she loves another, a low-born but worthy warrior.

Two noblemen fight over a lady.

A husband finishes packing a suitcase, and then says good-bye to his wife. As soon as he is gone, the wife has her maid help her to dress for a costume ball...

A woman who is filled with romantic ideas is making no secret of her eagerness to find a husband. Her father decides to help her by pressuring and threatening an eligible bachelor, who reluctantly allows wedding plans to be made.

In ancient Egypt, a princess is executed after being caught in an affair with a Theban warrior, with her soul sealed inside a vase. Centuries later, a professor in Boston brings the vase to his home, with chaos ensuing.

Miner Kate Nelson strikes gold but is quickly robbed at a frontier hotel by a desperate Mexican woman, who shoots a hotel clerk during her escape. The thief hides with an Indian girl and her half-breed husband. She seduces the husband into helping her torture and hang his Indian wife over a river. After bravely escaping her bonds, the Red Girl guides Kate and a posse in a thrilling canoe chase. Following a dramatic underwater battle, the culprits are captured. The husband tries to reconcile with his wife, but she rejects him, finding solace and friendship in Kate's embrace.

After receiving a scolding for falling asleep on the job, Cupid is sent out in search of potential lovers to unite. While flying over a city, he finds a ballroom dance and identifies a likely couple. He is successful in getting them to meet, but many obstacles still stand in the way of Cupid achieving his goal for them.

At the Crossroads of Life is a typically Victorian-style melodrama in which a girl's wishes to be an actress are condemned by her stern father, a man of the cloth who has no time for those in the acting profession.

Had the poor melancholy Dane, Hamlet, lived in this, the twentieth century, he would never have given voice to the remark, "Oh, that this too, too solid flesh would melt, thaw and resolve itself into a dew!" No indeed! He would have procured some of the mysterious fluid compounded by an erudite scientist by which things animate and inanimate were rendered non est, for ten minutes at least, by simply spraying them with it. In an atomizer, he sends a quantity, accompanied by a letter, to his brother. In the hope of his putting it on the market. The brother regards it as a joke, and, while toying with the atomizer, accidentally sprays himself. Presto! he is gone, to the amazement of the messenger boy who has carried the package thither. The boy reads the letter, and at once sees the amount of fun he can get out of it, so he nips it.

Mack Sennett appears as a charity worker in this film produced by the Biograph Company.

A poorly compensated bank clerk is, we may say, to that trying position of "Tantalus" in sight of tons of money but not a dollar of his own. This became more torturing as time went on, until at last, when the bank was arranging to ship a large quantity of cash to the West to relieve the recent money stringency, he made up his mind to heed the solicitude of that specter which had haunted him. Listening to the instructions given to the bank's messenger as to the shipment of the funds, he hustles off to a gang of crooks in whose company he had fallen.

Old Ezra Perkins, his wife Matilda, and an English gentleman named Reggie take a "rubberneck" sightseeing tour of New York’s Bowery district. Led by a fast-talking guide, the naive visitors are tricked into a series of staged, dangerous scams that include a fake suicide, broken dishes, a sausage machine accident, and a fake murder in a saloon that makes them flee in terror leaving their money behind.

A thug accosts a girl as she leaves her workplace but a man rescues her. The thug vows revenge and, with the help of two friends, attacks the girl and her rescuer again as they're going for a walk. This time they succeed in kidnapping the rescuer. The girl runs home and gets help from several neighbors. They track the ruffians down to a cabin in the mountains where the gang has trapped their victim and set the cabin on fire.

The 17th century: a rider is dispatched by the king to carry a message to the king's embattled forces in a distant conflict. The messenger is waylaid by a villain, whose mistress lures the messenger into a trap so that he can be stabbed and the message stolen.

A young couple are enjoying a romantic interlude in the young woman's home, when her father discovers them and angrily chases the young man out of the house. They thus decide to elope, and they make plans accordingly. But as they are leaving, a thief discovers their plans, and he decides to turn the situation to his own advantage.

Stable hostler Joe loves his wife Annie, but she leaves him and their child for a wealthy gentleman, only to die destitute in London, where Joe's enduring love brings her solace in her final moments.

A wealthy old alchemist and inventor has just perfected a motion picture camera with which he hopes to revolutionize the art of animated photography, and our story opens with the old man in his library studying out the plans of his invention. A telegram calls him hurriedly away. He replaces the papers in his safe, but, in his haste, neglects to lock it, which oversight is pardonable, as his wife and daughter are in the room at the time. The daughter's hand is sought in marriage by a worthy young man, whose attentions are looked upon with favor by herself and her parents. But he has a rival in the person of a contemptible villain, whose motives are purely mercenary, reasoning that this new invention will greatly enhance the father's already ample wealth.

Hulda is a maiden fair to look upon. Her artless rustic simplicity, rivaling Hebe's gorgeous radiance, phlogisticates the susceptible hearts of the village swains. But alas, Hulda was a fickle maid, and seemed to have as many phases as the moon, with a smile for all and a frown for none. Her capriciousness was the cause of much unrest, both for herself and her lovers, for when her parents had departed for a visit, leaving her in charge of the kitchen, she received most effusively Jocular Jake, the village cut-up, only to hide him above stairs at the entrance of Previous-Hearted Pat, the hostler, who in turn is hidden in the Dutch oven at the approach of Handy Hank, the chore boy.

A father arrives home, greets his wife and daughter, and then goes inside with his wife. Though they are only inside for a brief time, their daughter wanders off, attracted by the music from a pair of gypsies performing in the street. When the gypsies move on, they take the young girl with her. As soon as the parents realize that their daughter is gone, they begin a frantic search, assisted by the family's loyal dog.

Outlaws Phil Bowen and Sam Lewis rob a stagecoach carrying Roulette Sue, the mining camp belle. Phil and Sue fall in love at first sight. When the alarm is given and the miners prepare themselves to pursue the bandits, Sue rushes to their hideout and warns them, but Sam’s unwanted advances toward her cause a bitter rift between the two partners. Days later, Sam corners Sue at a tavern. Phil hides nearby and shoots Sam to protect her. Believing Sue fired the shot, a dying Sam fires back and kills her. Sam is captured for his crime, ending the tragic romance born from the outlaw's love for the camp belle.

What is more miserable than love-blighted life? For the heart that truly loves can never forget. Such is the sad fate of the hero of this Biograph story.

With the family of Mr. Phlipp there is employed that wrecker of domestic serenity, a pretty French maid, whose trim figure and cherry lips are simply irresistible. This is all very fine for Phlipp, who is wont to bask in the radiance of her smiles and to sip the honey from her rose-leaved lips. But, alas! his bliss is short-lived, for, the perspicacious Mrs. Phlipp grows suspicious and surprises the erring couple in an osculatory diversion. The meretricious maiden is put to right, and the sinful Phlipp is assailed with most vociferous vituperative verbosity.

In Civil War days, a soldier is seen leaving his home to join the Union army. Later he and a group of soldiers are captured and imprisoned by the Confederates. In the Southern prison, whenever the guards' backs are turned, members of the group work at tunneling their way out. Ultimately they finish the tunnel and take fight. The Confederate forces pursue the fugitives and kill some of them, but others escape. At the end, the soldier from the film's opening returns to his home and family.

Two students at college were friends until a girl appeared and by the workings of fate was beloved by both. The girl has given her heart to one of the classmates, unknown to the other. The youth confesses his love, and is plunged into despair when told that her heart is another's. Coldly the classmates part, when the next day they start on their divergent paths of life. Years later, they meet again and while the trio enjoy a pleasant chat, a message calls the husband away, leaving his wife to entertain. The chum takes advantage of his absence to renew his protestations of love, which are spurned by the wife, who attempts to avoid him. He follows, whereupon the wife sends him reeling down the stairs, just as the husband reenters. The woman's denunciation of the friend brings about a terrific combat.

Crime drama involving an Irish couple immigrating to America

Two young ladies, members of a dramatic stock company, are rivals for stellar honors. One seems to have had things her own way for a time, having been cast always for the leading roles, which opportunities made her the "public's pet." However, she does not wear the mantle of fame becomingly, for her success has made her petulant, peevish and selfish. On the other hand, her rival works studiously, and by her subtle art has won some attention, until during a performance of "Darkest Russia" she completely eclipses the histrionic luster of the hitherto favorite.

Mack Sennett appears in this film produced by the Biograph Company.