The Unknown Ivan the Terrible

In 16th-century Russia in the grip of chaos, Ivan the Terrible strongly believes he is vested with a holy mission. Believing he can understand and interpret the signs, he sees the Last Judgment approaching. He establishes absolute power, cruelly destroying anyone who gets in his way. During this reign of terror, Philip, the superior of the monastery on the Solovetsky Islands, a great scholar and Ivan's close friend, dares to oppose the sovereign's mystical tyranny. What follows is a clash between two completely opposite visions of the world, smashing morality and justice, God and men. A grand-scale film with excellent leading roles by Mamonov and Yankovsky. An allegory of Stalinist Russia

Ivan sets off on a dangerous mission into Syria to save his ex-commander Grey after his capture by ISIS. With the help of U.S. military patrols, he succeeds in freeing Grey and attempts to escape the country while being hunted by terrorists.

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This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

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During the construction of the metropolitan metro, workers discover a precious salary, which proves that the legendary Library of Ivan the Terrible exists. But the find turns out to be forgotten for many years, and already in our time it falls into the hands of the unsuspecting Ilya. Now his life is in danger, because powerful forces are hunting for an ancient artifact.