…at large under the sun…

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

After another 7 year wait, director Michael Apted revisits the same group of British-born children from Seven Up! and 7 Plus Seven. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

A purely observational non-fiction film that takes viewers into the ethically murky world of end-of-life decision making in a public hospital.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Exploring the company founding and the implosion of the business by outside investors who took over the company, left it bankrupt and under investigation.

A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.