Mirror

Ghonsyam,a troubled fisherman meets a twistic tale which surrounds agony and love

About a taxi driver in Mumbai, Mangal, who is called "Hero" by his friends. A driver who drives a cab by day, then drinks at night, listens to his singer girlfriend, Sylive, and then goes into a drunken stupor - and wakes up with a hangover. One day, while assisting another taxi driver, Mangal comes to the assistance of a damsel in distress, who is being molested by two thugs. Mangal gallants rescues her, and attempts to take her to her destination, to no avail, as the person she is looking for has moved. The next day, Mangal and the young woman, Mala, again attempt to seek Ratanlal, a music director, but the entire day is spent in vain. Mala lives in Mangal's tiny apartment and both become attracted to each other. When Mala finds out about Sylvie, she leaves him. He goes in her search, but finds that she has become a famous singer with the help of her music director friend.

Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.

Deepak goes for an interview and mistaken as possible groom for Rajasaheb's daughter Bina. They fall in love but afraid of dire consequences Deepak runs away. They meet again and Rajasaheb get Bina married off to Deepak.

A Bollywood obsessed auto-rickshaw meets and falls in love with an actress. When the film crew packs up and leaves, he too sets off to Bombay to be close to her.

Mumbai-based model and aspiring actress, Ria (Mahima Chaudhary), meets with stuntman, Dev (Dino Morea), and both fall in love. Shortly thereafter, she gets an offer to act as a lead actress with renowned film-maker, Muni Gandhi, and accordingly re-locates to Shimla to start the filming. Enroute, she excitedly telephones Dev and tells him of the scenic surroundings as well as the echo of bells in a tunnel that emanate from a Hanumanji Mandir. Several days later, when he does not hear from her, he decides to travel there. But before he could do so, he does get her telephone call in which she sounds distressed and asks him to help her. When he asks about her location, she is unable to provide any, and the phone gets disconnected. The question that haunts Dev is: Where is Ria, and how is he going to assist her when he does not even know her location?

Inspired by a real story of young girl's journey escape from the world of international sex trafficking.

Orphan brothers Ashok and Kishore get separated in childhood. Years later their paths cross in prison as both con people for a living. Kishore lives with his adopted sister, Asha, and her son. Kishore falls in love with a wealthy Preeti, and discovers that Ashok is involved in a scam to marry her to get hold of her money.

A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

A Gujarati housekeeper working in the United States, allows her ambitions to overpower her which leads her to get involved in the world of crime.

Krishnattam or Krishnanattam (Play of Krishna) is a temple ritualistic art performed at Guruvayur Temple (Guruvayur 680101, Trishshur District, Kerala) by a troupe owned by Guruvayur Devasvam. The performance of Krishnattam is based on Krishnagiti, a poetic text in Sanskrit containing verses and stanzas, written by the Zamorin King Manavedan in 1654. The story of Krishna, described in Bhagavata, Mahabharata and Harivamsha is presented in Krishnattam as songs, dance and acting in a sequence of eight plays (Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Svayamvaram, Banayuddham, Vividavadham and Svayamvaram) in eight days.