Lychee Light Club

Angel, a selfish rotter is hanging around in a local bar, groping the wife of the barman and dealing with weapons. One morning he wakes up finding a pair of wings growing at his back. These wings do good deeds against his nature. But suddenly he finds himself fighting those who want these wings for their own dark plans.

It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.

Shin has shut his heart ever since his mother died when he was young. His childhood friend Kotori has been looking after him ever since. Now that they are in the third year of high school, and it seems like they can finally move forward, another Shin from another Japan has suddenly appeared in front of them.

Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.

Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.

Nobita travels to the future to show his beloved grandma his bride, but adult Nobita has fled his own wedding.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

An intelligent 15-year-old high school student is unexpectedly transferred to a boarding school where he opens a portal of monsters from another dimension.

Mayhem reigns supreme in the animated kingdom as whiz kid Jimmy Neutron and Timmy from "The Fairly Oddparents" swap places in each other's worlds.

Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.

A sapling Nobita discovers is turned into a plant-boy with help from Doraemon, and becomes Earth's only hope at passing judgment from the dryadic aliens of the Green Planet.

INCLUDES THE FOLLOWING SHORTS: "John Henry," "Lorenzo," "The Little Matchgirl," "How To Hook Up Your Home Theater," "Tick Tock Tale," "Prep & Landing: Operation Secret Santa," "The Ballad Of Nessie," "Tangled Ever After," "Paperman," "Get A Horse!", "Feast," "Frozen Fever"