SEE/SAW

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

The film goes behind the scenes of the 1999 sci-fi movie The Matrix.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

A former assassin, known simply as The Bride, wakes from a coma four years after her jealous ex-lover Bill attempts to murder her on her wedding day. Fueled by an insatiable desire for revenge, she vows to get even with every person who contributed to the loss of her unborn child, her entire wedding party, and four years of her life. After devising a hit list, The Bride sets off on her quest, enduring unspeakable injury and unscrupulous enemies.

A famous fashion photographer develops a disturbing ability to see through the eyes of a serial killer.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

Young and disenchanted Sam meets a mysterious and beautiful woman who's swimming in his building's pool one night. When she suddenly vanishes the next morning, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal and conspiracy.

The crew of the merchant ship Glencairn hope to survive a transatlantic crossing during World War II. Adapted from four Eugene O'Neill one-act plays.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp.

Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.

In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.