Relative Similarities

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.

Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.

Three friends discover a mysterious machine that takes pictures 24 hours into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.

Thirty-four days before she's sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss.

Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

June and Jennifer Gibbons are twins from the only Black family in a small town in Wales in the 1970s and '80s. Feeling isolated from the community, the pair turn inward and reject communication with everyone but each other, retreating into their own fantasy world of inspiration and adolescent desires. After a spree of vandalism, the girls are sentenced to Broadmoor, an infamous psychiatric hospital, where they face the choice to separate and survive or die together.

This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.

Vivian Maier's photos were seemingly destined for obscurity, lost among the clutter of the countless objects she'd collected throughout her life. Instead these images have shaken the world of street photography and irrevocably changed the life of the man who brought them to the public eye. This film brings to life the interesting turns and travails of the improbable saga of John Maloof's discovery of Vivian Maier, unravelling this mysterious tale through her documentary films, photographs, odd collections and personal accounts from the people that knew her. What started as a blog to show her work quickly became a viral sensation in the photography world. Photos destined for the trash heap now line gallery exhibitions, a forthcoming book and this documentary film.

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.