After We Have Left Our Homes

People in the future live in a totalitarian society. A technician named THX 1138 lives a mundane life between work and taking a controlled consumption of drugs that the government uses to make puppets out of people. As THX is without drugs for the first time he has feelings for a woman and they start a secret relationship.

In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.

Winston Smith is a government employee whose job involves the rewriting of history in a manner that casts his fictional country's leaders in a charitable light. His trysts with Julia provide his only measure of enjoyment, but lawmakers frown on the relationship -- and in this closely monitored society, there is no escape from Big Brother.

In the near future, oil reserves are nearly depleted and Europe is connected by series of underground tunnels. While navigating these tunnels, Roger hears voices, one in particular. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control - mind and body.

By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.

An undercover cop in a not-too-distant future becomes involved with a dangerous new drug and begins to lose his own identity as a result.

In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.

In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. A man in charge of enforcing the law rises to overthrow the system.

Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.

In an underground city in a dystopian future, the protagonist, whose name is "THX 1138 4EB", is shown running through passageways and enclosed spaces. It is soon discovered that THX is escaping his community. The government uses computers and cameras to track down THX and attempt to stop him; however, they fail. He escapes by breaking through a door and runs off into the sunset. The government sends their condolences to YYO 7117, THX's mate, claiming that THX has destroyed himself. Electronic Labyrinth: THX-1138 4EB is a 1967 science fiction short film written and directed by George Lucas while he attended the University of Southern California's film school.

In a near-future city where soaring opulence overshadows economic hardship, Gwen and her daughter, Jules, do all they can to hold on to their joy, despite the instability surfacing in their world.

In 1996, brash L.A. detective John Spartan and maniac killer Simon Phoenix are both sentenced to decades in a cryogenic prison as punishment for a rescue mission gone wrong. When Phoenix escapes 36 years later to wreak havoc on the future, Spartan is awakened to capture his nemesis the old-fashioned way.