The Things We Don't Say

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Veneno, a rebellious young drifter, frequents roadside diners where he sleeps with truck drivers. Urgently needing a ride, he meets Muñeco, a hard-edged driver who keeps to himself. He convinces Muñeco to take him deep into the hyper-masculine world of long-haul trucking across the north of Mexico. As they travel together and an unexpected intimacy builds between them, shadows from Veneno’s past resurface, putting both their lives at risk.

After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband's grieving rage.

Sean is taken to a motel and is given a prostitute for his 18th birthday by his father. He must sleep with her to "fix" his questionable homosexuality. "Pretty Boy" is a coming of age story of a young bullied teen, Sean, struggling with his sexuality and the hardships of high school. After his father finds some questionable magazines in his room, this devout Christian will go to any lengths to get his son to find the light and "perform" the way a man should. Sean is introduced to Katie, a prostitute that understands the stigmas of modern society and helps him see the true light that is within him.

Manuel's life is upended when Esmeralda, his lost love from 15 years ago, calls unexpectedly. Despite being set to marry another, he rediscovers Esmeralda, and they realize their love transcends time.

A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man.

When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimization and the trauma of closeting her sexual orientation.

Growing up in post-World War II era Arizona, young Sammy Fabelman aspires to become a filmmaker as he reaches adolescence, but soon discovers a shattering family secret and explores how the power of films can help him see the truth.

When a change of circumstances leaves Miriam unable to pay her college tuition, she makes a surprising decision: to start performing in adult films, using the pseudonym Belle Knox. Miriam lies to her family and her friends at school, keeping her double life a secret. But soon rumours spread and Miriam becomes the subject of vicious online attacks and unwanted attention. Miriam fights back: she talks to the media, saying her new line of work empowers her as a feminist. But her confident stand has unintended consequences. Miriam is shunned by her conservative family and her colleagues in the adult film world. One impulsive decision has quickly spiralled out of control - and Miriam's problems are just beginning.

Set in Mexico City, Carlos Reygadas's sexually explicit drama centers on a man in turmoil over his past actions. Chauffer Marcos feels compelled to reveal a dark secret to his boss's daughter, Ana, a wealthy woman who works as a prostitute just for the thrill of it. Marcos confesses that he and his wife committed a crime that ended in horrible tragedy. Haunted by his past, Marcos searches for redemption.

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

Igor is a plumber; Pina serves coffee. It is winter and they both deeply desire each other, but they are not free. In trying to figure out how to realize their love, she decides to make a lion costume for her little son and he decides to buy a photocopying machine for his wife. Spring will come at last and with it the consummation of love, filling their lives with hope and sex.