Henze: The Young Lord (Deutsche Oper Berlin)

In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of students, artists, bohemians and barflys had flourished among crumbling buildings. Part of that microcosm is barkeeper Frank, semi-formally called 'Herr Lehmann' by friends and patrons. He hangs out drinking, sports utter disregard for anything beyond SO 36 and lazily pursues an affair with cook Katrin. His lifestyle is gradually disturbed, when his parents show up for a visit, things go awry with Katrin and his best friend Karl starts to act strange. Meanwhile, political turmoil mounts on the other side of the Wall.

Three women set out to find eligible millionaires to marry, but find true love in the process.

The film chronicles George's adventures as he befriends Kayla, a baby elephant, at a magic circus show and helps her travel across the country to be reunited with her family.Accompanied by his friend, the Man with the Yellow Hat, George travels by foot, train, and truck to reach Kayla's brother and sister in California, only to be accused of elephant-napping and brought all the way back to New York.

The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

A conniving Broadway producer and his meek accountant plan to profit from charming wealthy old biddies to invest in an overbudget production, and then put on a sure-fire disaster, so nobody will ask for their money back — and what's more disastrous than a tasteless musical celebrating Adolf Hitler.

Two sailors on shore leave head out for four days of partying – only to become involved in the affairs of an aspiring singer and her precocious nephew.

Neil, a self-proclaimed film geek and owner of Gumshoe video, has always been content to live vicariously through his favorite films noir. But when he meets Violet, a real-life femme fatale, his mundane world gets turned upside down and the line between reality and the movies quickly begins to blur.

In a small Midwestern town, a deadly annual ritual unfolds when the mythical nightmare, Sawtooth Jack, rises from the cornfields and challenges the town’s teenage boys in a bloody battle of survival.

Filmed at the Celebrity Theatre in Phoenix, AZ on February 15th and 16th, 2013, Oh My God is Louis C.K.'s fifth stand-up special, his first for HBO since 2007's Shameless, and his first since winning a Emmy Award for writing on his acclaimed show on FX, Louie. Performed in the round in front of a live audience, he discusses such topics as the food chain, animals, divorce, strange anecdotes, broken morality, murder and mortality.

It's the night before Hogswatch, usually a time of joy on Discworld, but there are suspicious going-on and the criminal underworld is abuzz. The beloved Hogfather - the jolly bearer of glee and pork-related gifts for children everywhere - has vanished. Suddenly, Discworld's entire mythical system is under threat. The fate of this magical time rests in the hands of a very motley group: A band of wizards headed up by a mystical university president named Mustrum Ridcully (Joss Ackland), a loyal manservant called Albert (David Jason), a level-headed governess called Susan Sto Heilt (Michelle Dockery), and her grandfather, who happens to be - Death (Marnix van den Broeke).

Heidi the Hippo, star of 'The Feebles Variety Hour', discovers her lover Bletch the Walrus is cheating on her. And with all the world waiting for the big show, the assorted co-stars must contend with drug addiction, extortion, robbery, disease, Vietnam flashbacks, drug dealing, and murder.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.