A White, White Day poster

A White, White Day

6.1(130)20191h 49m3

In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.

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Status
Released
Budget
—
Box office
—
Language
English

Top billed cast

Behind the camera

Produced in

Denmark, Iceland, Sweden

Gallery

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Videos

Release dates

  • United StatesUS

    • Theatrical28 Feb 2020
  • United KingdomGB

    • PremiereLondon Film Festival6 Oct 2019
    • Physical15DVD & Blu-ray5 Oct 2020
  • CanadaCA

    • PremiereToronto International Film Festival9 Sept 2019
    • Theatrical (limited)3 Jul 2020
  • AustriaAT

    • Digital / OTT1221 Feb 2020
  • BelgiumBE

    • Theatrical (limited)1825 Jul 2019
  • BrazilBR

    • PremiereSão Paulo International Film Festival17 Oct 2019
  • CzechiaCZ

    • Theatrical25 Jul 2019
  • DenmarkDK

    • Theatrical155 Dec 2019
  • FranceFR

    • PremiereCannes International Critics' Week16 May 2019
    • Theatrical29 Jan 2020
  • GermanyDE

    • Theatrical1220 Feb 2020
  • GreeceGR

    • PremiereAthens Film Festival21 Sept 2019
    • TheatricalΚ-156 Jan 2020
  • HungaryHU

    • Digital / OTT1631 Oct 2019

Frequently asked questions

A White, White Day was released on 25 July 2019.

Audience reviews

3
  • S

    SWITCH.

    7/22/2020

    8/10

    Short on plot but long on atmospherics, Pálmason's film reveals itself as a deeply considered and profound statement about the slippery nature of masculinity, loneliness, anger and the human capacity for love. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-a-white-white-day-love-loss-and-anger-in-iceland

  • P

    Peter McGinn

    9/2/2021

    6/10

    It seems to me that A White, Whirte Day was trying to be an artsy Indie type film and, if I am right, I think they aimed too low. The way the camera sometimes lingers on a still life scene, the times when it feels like they are using symbolism, such as when we watch a rock rock a great distance down a hill, off a cliff, into the water and down to the ocean floor — all seem to be working too hard at it, screen time wh…

  • B

    badelf

    4/19/2026

    6/10

    This is what happens when Icelandic movie maker, familiar with Kurasawa, has channeled Shakespeare in his dreams - an unbearably long art-house film. Salka (Ída Mekkín Hlynsdóttir) was great in this.

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