Murder In The Tarentaise Valley

Commissioner Maigret rushes to the Quai d’Orsay with Lieutenant Janvier. There, they find Mademoiselle Larrieu in a state of shock. That very morning, she discovered the bullet-riddled body of Mr. Berthier-Lagès, a renowned former ambassador whom she had served as a housekeeper for 46 years. While searching the victim's apartment, Maigret and Janvier uncover hundreds of letters. The diplomat had maintained a fifty-year-long love correspondence with a certain Princess of Vuynes, whose husband - by a strange coincidence - had died just a few days earlier. As he confronts the various members of the two families and the suspicious silence of Mademoiselle Larrieu, Maigret finds himself faced with surprise after surprise, watching his certainties crumble - until the solution to the mystery finally hits him in the face at the very last moment...

Inspector Lavardin is called to a provincial village to investigate a murder – only to find that one of his ex-lovers is the victim’s widow.

Romulus, a misunderstood musician turned recluse hiding from personal demons in a New York City cave, finds the frozen body of a young drifter in a tree. The authorities, including his police officer daughter, claim the death is accidental. Romulus is convinced the man was murdered by a prominent art photographer but how can he prove he's right when everyone thinks he's insane?

Four women are murdered, each knifed and, despite torn garments, remain virtuous. As famed police inspector Jules Maigret pieces the clues together, he comes to realise that for the elusive man that he suspects to be unmasked, he has to set a trap.

Based on the 2000 book of the same name by Emmanuel Carrère, it is inspired by the real-life story of Jean-Claude Romand. L'Adversaire's protagonist Jean-Marc Faure (Auteuil) pursues an imaginary career as a doctor of medicine in a plot more closely based on Romand's life and Carrère's book than was Laurent Cantet's 2001 film L'Emploi du Temps. The film was nominated for a Palme d'Or at the 2002 Cannes Film Festival.

Aurora's high school reunion turns deadly when a body is found in the hotel pool. Aurora and her Real Murders Club help investigate which classmate was most likely to kill.

A librarian with a sharp mind for murder, Aurora Teagarden is known around her small town as a master sleuth. When her friend Jane unexpectedly dies and leaves Aurora everything in her will, she also leaves a troubling murder mystery haunting her neighborhood. It is up to Aurora to piece together the clues—including a skull, its missing skeleton and a suspicious group of neighbors—and solve the murder before she becomes the unlikely killer’s next victim.

Brilliant, dedicated, and driven, archaeologist Emma Fielding is trying to unearth evidence of a 17th century coastal Maine settlement that predates Jamestown, one of the most significant archaeological finds in years. But the dead body that accompanies it has embroiled Emma and her students in a different kind of exploration.

When Aida Teagarden's real estate client is found murdered, her sleuthing daughter Aurora sets out with her fiancé Nick and the Real Murders Club to solve the murder.

Archaeologist Emma Fielding is hired to consult on the acquisition of a castle-like estate that local legend states is cursed. But she finds herself in the middle of a murder case after discovering the body of the archaeologist she was hired to shadow in a secret chamber in the bowels of the huge building. Assisted by her friend, FBI special agent Jim Conner, Fielding must sift through clues and a long list of suspects, each of whom has their own reason for wanting the man dead, to determine who is the killer.

A duel between a suspected murderer and a detective pressed by people who want results. But whose skin is really wanted?

At the insistence of Ruth Van Rydock, an old schoolfriend who is convinced that there is something wrong, Miss Marple agrees to visit 'Stonygates', the country house of Ruth's sister.