Why Blood is the Color of the Night

Lost in a world reclaimed by nature and overrun by mysterious creatures, Ethan, a young man with amnesia navigates the dangerous landscape in search of his lost love Emma. His journey takes an unexpected turn when he encounters Mae, a hardened and eccentric survivor. Together, Ethan and Mae face threats both human and otherwise before a fateful encounter with Kai unravels a secret that lies just beyond Ethan's fractured memory.

Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.

Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.

An orphaned girl is rescued from a satanic ritual and taken to Saint Catherine Institute for homeless youth. There she will learn new skills while facing demons that stalk her.

The living dead have taken over the world, and the remaining humans live in a walled city to protect themselves as they cope with the situation.

The small city of Tarker's Mills is startled by a series of sadistic murders. The population fears the work of a maniac, but sightings of a mysterious, hairy creature soon spread. People lock themselves up at night, but there's one boy who's still outside…

Still reeling from the tragic death of their mother, a teenage girl and her younger sister find themselves plagued by a sadistic presence in their house and struggle to get their grieving father to pay attention before it’s too late.

A masked maniac terrorizes the same small community where a murderer known as the Phantom Killer struck decades earlier.

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

The powers of good are pitted against the forces of evil as the Duc de Richelieu wrestles with the charming but deadly Satanist, Mocata, for the soul of his friend. Mocata has the knowledge and the power to summon the forces of darkness and, as the Duc de Richelieu and his friends remain within the protected pentacle, they are subjected to ever-increasing horror until thundering hooves herald the arrival of the Angel of Death.