Evil Obsession

Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.

On the surface it's believed to be another urban legend - a supernatural being from the afterlife is violently killing anyone who cheats on their significant other in the small college town of Silvercreek, Pennsylvania. But the town's unusually high suicide rate is finally convincing both locals and college students that everything is not as it seems. When Maeve - a female college student - sleeps with Charlie, the married man of the host family she is staying with, both sense the deadly curse is closing in on them. Unable to get anyone to believe them, Maeve and Charlie seek out a local history student to help find answers and figure out a way to defend themselves. It all comes undone, however, as several people are horrifically killed by the savage being - one-by-one at a rapid pace. Eventually, Maeve, Charlie and the few survivors band together in an attempt to defeat the monster once and for all.

A tale of love and violence when a man on his emotional last legs finds a savior seductively dancing in a run-down strip club. And a life most certainly headed off a cliff suddenly becomes redirected - as everything is now worth dying for.

Evan values family above all else, and anyone who gets between him, his wife, and newborn son learns that the hard way. But when it comes to violent tendencies, it seems the apple doesn’t fall far from the tree.

Reclusive and controversial author Bruce Cogburn is drawn out of hiding by an obsessive fan, forcing the novelist to confront a past that he thought he could escape, and to account for events set in motion by his bestseller decades earlier. Cogburn's search for who is behind the manipulation and mental torment he encounters leads to an emotional roller-coaster ride full of fear and danger, where things are not always as clear as they seem to be, and where past deeds can have dire consequences.

Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.

After fleeing his psychotic father, a young teen and his mom seek refuge in a remote farmhouse, only to face a pack of ferocious dogs and the sinister spirits that haunt the property.

Milton, a college dropout, was only supposed to cook meth for one day. Broken out of rehab by a brash young woman and her trigger-happy ("ex") boyfriend and driven to a remote cabin the woods, Milton finds himself drawn into a dangerous love triangle gone haywire. The couple's deadpan half-truths spin around Milton like a song on repeat. They seem to read him like an open book, until a mysterious message opens his eyes to his cursed existence. With unlimited ammunition, any hunting tool they could desire, and an ever-growing body count, for what did Milton really sign up?

A series of down-on-their-luck individuals enter the decrepit and spine-chilling Rialto theater, only to have their deepest and darkest fears brought to life on the silver screen by The Projectionist – a mysterious, ghostly figure who holds the nightmarish futures of all who attend his screenings.

Charles Dexter Ward, a wealthy scientist, uses an ancient diary and human remains to begin a terrifying and bloody pursuit for immortality.

A hit man named Kai flies into Bangkok, gets a gun, and orders a cab. He offers a professional female driver big money to be his all-night driver. But when she realizes Kai is committing brutal murders at each stop, it's too late to walk away. Meanwhile, an offbeat police detective races to decode the string of slayings before more blood is spilled.

When John Doe is convicted of being a vigilante serial killer, a vigilante group named 'Speak for the Dead' emerges in support of John's cause—elevating the debate about justice versus vengeance.