Un haz de luz en el tejado

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.

In Argentina, between 1982 and 1985, the Puccios, a well-established family of San Isidro, an upper-class suburb of Buenos Aires, kidnap several people and hold them as hostages for a ransom.

With her mother's diary in hand, Marina's search for official documents for university leads her to her biological family on the Atlantic coast. What starts as an administrative quest reveals long-buried family secrets.

Years after her son's suicide, a woman longs to confront both the past and a friend of his who took his business idea.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

Rubén is a middle-aged Argentinian truck driver transporting timber between Paraguay and Buenos Aires. One day, at a truck stop, he picks up a young Paraguayan woman, Jacinta, whom his employer had told to take to Buenos Aires. To Rubén's surprise, Jacinta brings along her five-month-old daughter, Anahí.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

While spending a weekend at a remote cabin, Bruce desecrates an Indian burial ground and becomes re-animated, making way to kill his friends.

Nick, a gay, HIV-positive architect, begins to display severe symptoms of AIDS and makes preparations to kill himself before he is unable to function normally. He arranges a party to reconnect and say goodbye to his closest friends and his confused parents. But when his ex-partner, Brandon, a television director who left Nick when he was diagnosed with HIV, shows up, what was supposed to be a celebratory event becomes much more difficult for everyone.