The Ferrywoman

A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.

Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

Gioia is a high school teacher who has never known any other love than the oppressive bond with her own parents, with whom she still lives. One of the students at her school, Alessio, is cashing in on his own body to make a couple of hundred euros to help his mother, a cashier in a supermarket. The relationship that dawns between Gioia and Alessio is forbidden fruit, fragile yet, inexplicably, one they can’t do without. Still, Alessio’s desire to improve his social standing is a silent killer that prevents him from ultimately accepting Gioia’s surprising affection for him. He goes and destroys it all, cancelling the only person who has ever loved him.

Giulio suddenly finds himself having to change his life when his wife, after discovering his betrayal, asks for a separation and, suddenly, the reality around him is no longer the same. Forty years old and father of two children, Giulio is forced by circumstances to say goodbye to family and economic well-being and to study new solutions in order to stay afloat and not drown in a new poverty made of double rents and double bills to pay, solitary lunches in fourth-rate restaurants, children's wishes not to be ignored and creditors to hide from.

A young woman in early-1900s Italy searches for a mystical sanctuary where her stillborn child can be brought back to life long enough to be baptized.

A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

Gentle and broken, a homeless man fights others on video for money but soon finds comfort in an unlikely friend and the lost diary of a young girl.

Suffering from a severe case of depression, toy company CEO Walter Black begins using a beaver hand puppet to help him open up to his family. With his father seemingly going insane, adolescent son Porter pushes for his parents to get a divorce.