Deep Imagination

The second part in a two-part anime film project adapting the "Sixth Singularity - Divine Realm of the Round Table: Camelot" story from the game.

The Straw Hats visits an island, known as Mecha Island, where a fisherman sings an old folk song about a Golden Crown. Searching for that mysterious treasure, they find a hidden entrance into the island. The island's leader, Ratchet, impressed with the find and in search of the Golden Crown himself, invites the crew to join him in his search and the crew along with Ratchet and his henchmen enter the cave. As it turns out, the islands true form, is that of a giant turtle. Ratchet, who had known this all along, uses his mechanical castle to take control of the turtle, in order to use it, to take over the world. Now the Straw Hats have to stop not only Ratchet, but also the helpless turtle, from crashing into a nearby island.

The wandering knight, Bedivere, reaches the end of his journey. It is A.D. 1273 in Jerusalem. The Holy Land has been transformed into a massive desert and its people have been forced out of their homes as three major powers wage war with each other in this wasteland. The Knights of the Round Table come together to protect the Holy City and their Lion King. With the whole of his kingdom summoned into a strange land, Ozymandias, the Sun King, quietly plots against the tyranny of this bizarre realm. The mountain people, protectors of those who were stripped of their land, await their chance at rebellion. In order to fulfill his mission, Bedivere heads for the Holy City where the Lion King rules. There he meets humanity’s final Master, Ritsuka Fujimaru, who has come to Jerusalem, accompanied by his Demi-Servant, Mash Kyrielight, in their quest to restore human history.

INCLUDES THE FOLLOWING SHORTS: "John Henry," "Lorenzo," "The Little Matchgirl," "How To Hook Up Your Home Theater," "Tick Tock Tale," "Prep & Landing: Operation Secret Santa," "The Ballad Of Nessie," "Tangled Ever After," "Paperman," "Get A Horse!", "Feast," "Frozen Fever"

It is 300 years into the future. Earth's environment had been devastated by mankind's own foolish plans and humankind is beleaguered by the sentient forests which they have awoken. The world balance is tipped when a young boy named Agito stumbles across a machine that glowed in a strange blue hue inside a forbidden sanctuary.

Across different eras, a poor family, an anxious developer and a fed-up landlady become tied to the same mysterious house in this animated dark comedy.

Angel, a selfish rotter is hanging around in a local bar, groping the wife of the barman and dealing with weapons. One morning he wakes up finding a pair of wings growing at his back. These wings do good deeds against his nature. But suddenly he finds himself fighting those who want these wings for their own dark plans.

2500 years ago, in India, Siddhartha was born as a prince of the Shakya clan, but he gives up his position as a prince to see the world. He meets a strange boy named Assaji, who can predict the future, a monk with only one eye and Depa. Siddhartha continues traveling. Siddhartha is overwhelmed by the sufferings he witnesses around him. Meanwhile, Prince Ruri of Kosara begins his attack on the Shakya clan. Second Buddha movie from Tezuka Productions.

Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

With their most formidable foe vanquished, Inuyasha and his comrades begin returning to their everyday lives. But their peace is fleeting as another adversary emerges: Kaguya, the self-proclaimed princess from the Moon of Legend, hatches a plot to plunge the world into an eternal night of the full moon. Inuyasha, Kagome, Miroku, Sango and Shippou must reunite to confront the new menace.

Nobita travels to the future to show his beloved grandma his bride, but adult Nobita has fled his own wedding.