Dogs poster

Dogs

3.0(1)200016m1

A mini-revolution. Wrong choices. The divorce of ethereal beauty and mystery so common in experimental films. In Stephanie Barber's films. What begins as devastatingly awkward or "tender" unfolds itself to show a deceptive, strangely rigid literary formalism commented upon by the content. The two (form and content) dance around, moving towards and away from each other in the tricky, clear dialogue. Hyper-reflexivity, art and love (and the role faith plays in each of these). The filmmaker writes, "I, myself, feel safest around purposefulness, can read more clearly an artist's work when I trust that choices have been weighed, bear meaning. This film requires a great deal of faith because it is strange and labile. Its device-ness is so apparent as to have left it naked. And then so naked as to be, perhaps, closed again."

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  • TMDB

    3.0/10

    1 votes

Status
Released
Budget
—
Box office
—
Language
EN
  • woman director

Behind the camera

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Release dates

  • United StatesUS

    • Theatrical1 Jan 2000

Frequently asked questions

Dogs was released on 1 January 2000.

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