Hi-Fi

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

A thirsty teenager's home video leads to a series of horrifying revelations, harkening back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium.

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.

When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire one rare VHS tape, they discover more found footage than they had bargained for.

In a dark and decadent area of São Paulo, the exiled Americans Rosso and his son Paul own a brothel. Paul is a compulsive gambler addicted in cocaine and his father is married with the former prostitute Angie, and they have a little son. When a client is killed by his wife in their establishment, they find a suitcase with drugs.

A man remembers forty-eight crucial hours in his life when, as a child, he visited his mother, the favorite woman of an important politician, in a bordello owned by him, right before some important political changes in 1937 Brazil. In those hours, he discovers his own sexuality.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

Two sisters go diving at a beautiful, remote location. One of the sisters is struck by a rock, leaving her trapped 28 meters below. With dangerously low levels of oxygen and cold temperatures, it is up to her sister to fight for her life.

In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.

After the discovery of a mysterious VHS tape, a brutish police SWAT team launches a high-intensity raid on a remote warehouse, only to discover a sinister cult compound whose collection of pre-recorded material uncovers a nightmarish conspiracy.

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.