The Scar

The Marquis de la Chesnaye and his wife host a weekend gala where a variety of complicated romantic and social entanglements between guests and servants lead to tragedy, all against the backdrop of a looming war.

The murder of her father sends a teenage tomboy on a mission of 'justice', which involves avenging her father's death. She recruits a tough old marshal, 'Rooster' Cogburn because he has 'true grit', and a reputation of getting the job done.

Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.

A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.

Étienne Meunier (Benoît Magimel) is a young executive who has everything going for him. His career is skyrocketing and he is about to become #1 at work, he is married to a picture-perfect wife, has a dream home and money. To top it off, he's charming, healthy and everyone likes him and seems to consider him "a great guy". But beneath the surface, not everything is perfect. Meunier feels some pressure at work, knowing others eye his future position and he and his wife have been unable to have children so far. One day, Meunier bumps into a childhood friend, Patrick Chambon (François-Xavier Demaison) and the two resume their friendship, despite Chambon having struggled as a petty criminal.

After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.

February 1927. The funeral of Marcel Péricourt, the most powerful banker in Paris. His daughter Madeleine must take the helm of the financial empire of which she is the heiress. But she has a son, Paul, who with an unexpected and tragic gesture will place her on the path to ruin.

At a Catholic boys' school, domineering disciplinarian Father Goddard rules over his pupils with an iron hand. When one of his teenage charges confesses to murder, the dogmatic but deeply repressed Goddard finds his faith challenged and his life spiralling dangerously out of control.

Part two of a two-part biopic following French army officer Charles De Gaulle's life and political commitment between 1940 and 1945, and trace his development towards a political career.

Orphaned and alone except for an uncle, Hugo Cabret lives in the walls of a train station in 1930s Paris. Hugo's job is to oil and maintain the station's clocks, but to him, his more important task is to protect a broken automaton and notebook left to him by his late father. Accompanied by the goddaughter of an embittered toy merchant, Hugo embarks on a quest to solve the mystery of the automaton and find a place he can call home.

Michel works there manically solving people's problems over the phone. He is about to tie the knot with his girl friend Isabelle, an airline hostess. She flies all over the world, he hates to leave the office. A series of madcap mishaps involving theft or injury (as you would expect in his line of work) ensues after Michel promises Isabelle nothing will delay their marriage and she promises in turn that she's done flying. Once this unlikely promise is made, it becomes premise and both are forced into escalating white lies to maintain the appearance of keeping their word. Their predicament mounts as Isabelle is forced to do a few more flights, while Michel is compelled to travel to New York, Tunisia, and finally Hong Kong, where they are finally reunited in the throes of a contrived and hilarious drug deal involving a 747, water taxi chases, and martial arts.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?