Día de muertos

Three generations of women deal with family secrets while surviving the east wind, fire, insanity, superstition, lies and even death.

Following a terrible car crash, a woman awakes to find an enigmatic mortician preparing her for burial.

In 1991 Madrid, after holding a séance at school, a teen girl minding her younger siblings at home suspects an evil force has entered their apartment.

In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way.

While working on a thesis about audiovisual violence, film student Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that she was a former student in her university, and that the authors of the video are not very far either.

A grieving mother transforms herself into a vigilante following the murders of her husband and daughter, eluding the authorities to deliver her own personal brand of justice.

Two employees at a medical supply warehouse accidentally release a toxic gas from a misplaced top-secret U.S. Army shipment, causing the dead to rise from a nearby cemetery with an insatiable hunger for human brains.

A screener at the British Board of Film Classification (BBFC), who has earned an unsavory reputation for being the strictest censor of violent films, begins to spiral out of control after viewing a low-budget horror with similarities to the disappearance of her sister.

Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.

Two 19th-century opportunists become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist.

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

In the sixteenth century, Francis Barnard travels to Spain to clarify the strange circumstances of his sister's death after she had married the son of a cruel Spanish Inquisitor.