Days of Harvest

Gioia is a high school teacher who has never known any other love than the oppressive bond with her own parents, with whom she still lives. One of the students at her school, Alessio, is cashing in on his own body to make a couple of hundred euros to help his mother, a cashier in a supermarket. The relationship that dawns between Gioia and Alessio is forbidden fruit, fragile yet, inexplicably, one they can’t do without. Still, Alessio’s desire to improve his social standing is a silent killer that prevents him from ultimately accepting Gioia’s surprising affection for him. He goes and destroys it all, cancelling the only person who has ever loved him.

Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

Antonio, a former shipyard worker, leads a mild and peaceful life: he plays bowls with friends, takes care of his elderly mother, has an ex-wife with whom he is on excellent terms and Emilia, his only and beloved daughter When Emilia announces to him one day that she has decided to get married, Antonio is filled with joy, he can finally fulfill his dream by giving her the reception they have always dreamed of together being able to count on the savings of a lifetime.However, the bank of which he has always been a client seems to be hiding something, the employees are suddenly elusive and the director inexplicably changes constantly.The task of paying for his daughter's wedding will prove increasingly difficult and Antonio will discover, against his will, that those who keep our treasures don't always keep our dreams as well.

Torn between longing and anger, 15-year-old Leo travels to the coast of northern Italy to meet her biological father. The two are complete strangers to each other. They struggle to find truth, affinity, love and the courage to face themselves.

Story about two brothers and their wives, and the interactions between them and their two high school age children. When the kids get into serious trouble together, how will the parents relationships change with and among each other? Will the parents protect the kids or force them to face the consequences of their actions?

A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.

Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.

A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.

A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.

At the end of World War II, shallow, self-centered Mara is the prettiest girl in her small Italian village; Bebo is a Communist partisan who is finding it difficult to adjust to the dull banalities of life in peacetime. When Mara’s father, a passionate Communist, declares that his daughter will marry the returning hero, her reactions range from joy to bitter resentment.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.