Kimagure Orange Road: I Want to Return to That Day

In February 1999, a string of murders has Shiki Ryougi and Mikiya Kokutou on edge. These crimes share a disturbing resemblance to a similar set of homicides from 1995, when Shiki and Mikiya first met, and awaken a dark, murderous desire that has laid dormant within Shiki's soul ever since then.

Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.

Kyoko, who couldn't believe anything in the world and lived a desolate life, meets Katsuya Honda, who has been assigned as an educational trainee. She is at the mercy of Katsuya, who is rude and has a strong habit, and she is gradually attracted to her. However, she is disowned by her parents in the wake of an incident with her bad fellow. It's a punishment that I've been doing as much as I like. Katsuya appears in front of Kyoko who thinks so...

Shin has shut his heart ever since his mother died when he was young. His childhood friend Kotori has been looking after him ever since. Now that they are in the third year of high school, and it seems like they can finally move forward, another Shin from another Japan has suddenly appeared in front of them.

Shirou has lost his Servant, Saber, and is no longer a Master in the Holy Grail War. Despite this, he refuses to leave the battle, determined to protect Sakura. Meanwhile, a mysterious shadow engulfs the city, killing Masters and Servants one by one. As Shirou faces new dangers, Sakura is drawn deeper into her own destiny as a mage.

Invited to a wealthy client's mansion, time-traveling witch Yuko and her companions arrive to find a group of collectors assembled to participate in a mysterious auction. And the mystery only deepens when the collectors go missing one by one. As more guests disappear and strange occurrences abound, Yuko and her friends realize they must solve the mystery before they vanish as well.

Satou Ichirou once called himself 'Maryuuin Kouga' and behaved as if he were a hero in a fantasy world. His strange behavior caused his classmates to bully him and he left the school. At his new school, he tries to behave like a normal boy, but one day he meets a girl who cosplays with a blue cape. She calls herself "a researcher traveling from the outer world to search for the 'Dragon Terminal'". At first, Ichirou rejects the girl, Satou Ryouko, because her behavior reminds him of his embarrassing past, but he changes his mind after seeing her getting bullied. In order to bring Ryouko back to real life, Ichirou accepts her and his past and begins the final battle as Maryuuin Kouga.

A highly experimental film presenting a story out of chronological order taking place 15 years after a near-apocalyptic catastrophe, about four traumatized 14 year olds who are tasked with piloting massive humanoid decisive weapons called Evangelion, the psychologically maladjusted adults who handle and command them, and the events and forces that affect them or which they take part in as they engage massive hostile invaders known as "Angels."

Afro Samurai avenged his father and found a life of peace. But the legendary master is forced back into the game by a beautiful and deadly woman from his past. The sparks of violence dropped along Afro’s bloody path now burn out of control – and nowhere are the flames of hatred more intense than in the eyes of Sio.

In a brutal war between devils, hunters, and secret enemies, a mysterious girl named Reze has stepped into Denji's world, and he faces his deadliest battle yet, fueled by love in a world where survival knows no rules.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

In an age of revolution, Marie Antoinette and her protector Oscar François de Jarjayes face tough choices as women growing into their distinct roles.