Tous les garçons...

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

After writing for Cahiers du cinéma, young Godard decides making films is the best film criticism. He gets Beauregard to fund a low-budget feature, creating a treatment with Truffaut about a gangster couple.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

This loosely plotted coming-of-age tale follows the life of 15-year-old Laurent Chevalier as he stumbles his way over the burgeoning swell of adolescence in 1950s France. After having his first sexual experience with a prostitute and dodging the lips of a priest, Chevalier contracts a case of scarlet fever. When the fever leaves him with a heart murmur, Chevalier is placed in a sanatorium, along with his over-attentive and adulterous mother.

Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting both his past and present, accompanied by his devoted manager, Ron.

Sweet Gordon, an affable English teacher in Brooklyn, has beaten the odds; a French Girl has fallen in love with him and he’s fallen even harder back. But their future is thrown into limbo when she interviews for an executive chef position in her hometown of Quebec City. To Gordon’s dismay her future boss also happens to be her former lover, a celebrity Chef with oceanic eyes and a hit TV show. Good luck Gordon.

In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…

An unhappily married woman devises a scheme to get rid of her husband.

Mathieu lives in Paris, Alice in a small seaside resort in Western France. He is a famous actor, about to turn fifty. She is a piano teacher in her forties. They were in love fifteen years ago, then separated. Time has passed. They each went their ways and slowly healed. When Mathieu goes try to overcome his melancholia in a thermal spa, he stumbles upon Alice.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.