Two Centuries of Black American Art

In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps aging genius Salvador Dali prepare for a big show in New York.

In the 1960s, two entrepreneurs hatch an ingenious business plan to fight for housing integration—and equal access to the American Dream.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

Before computer graphics, special effects wizardry, and out-of-this world technology, the magic of animation flowed from the pencils of two of the greatest animators The Walt Disney Company ever produced -- Frank Thomas and Ollie Johnston. Frank and Ollie, the talent behind BAMBI, PINOCCHIO, LADY AND THE TRAMP, THE JUNGLE BOOK, and others, set the standard for such modern-day hits as THE LION KING. It was their creative genius that helped make Disney synonymous with brilliant animation, magnificent music, and emotional storytelling. Take a journey with these extraordinary artists as they share secrets, insights, and the inspiration behind some of the greatest animated movies the world has ever known!

The true story of Mamie Till Mobley's relentless pursuit of justice for her 14-year-old son, Emmett Till, who, in 1955, was lynched while visiting his cousins in Mississippi.

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the Black community.

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

Eccentric British painter J.M.W. Turner lives his last 25 years with gusto and secretly becomes involved with a seaside landlady, while his faithful housekeeper bears an unrequited love for him.