Paris mental

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.

Set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

Pierre, a professional dancer, suffers from a serious heart disease. While he is waiting for a transplant which may (or may not) save his life, he has nothing better to do than look at the people around him, from the balcony of his Paris apartment.

France, 1983. The biggest architectural competition in history is launched by the new socialist president, François Mitterrand. Coveted by all the biggest international architectural firms, the open-call competition is surprisingly won by an unknown: Johan Otto von Spreckelsen, an architecture teacher from Copenhagen. Until then, the fifty-year-old Dane had built only four buildings: his home, and three small chapels.

Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust; she also likes to stroll about Paris.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

In the near future, Paris is divided into three zones that separate social classes, and no one can escape ALMA, a predictive AI that has revolutionized law enforcement. When ALMA’s creator is assassinated, Salia, a top agent, and Zem, a jaded cop, are forced to work together to solve a murder that may expose the dark secrets of the system they serve.