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The story of a teenage boy called Yu, who falls for Yoko, a girl he runs into while operating for the sake of sin as an upskirt photographer in an offshoot of the porn industry. His attempts to woo her are complicated by a spot of cross-dressing - which convinces Yoko that she is lesbian - dalliances with kung-fu and crime, and a constant struggle with the guilt that's a legacy of his Catholic upbringing.

In a Kaiju-filled Japan, Kafka Hibino works in monster disposal. After reuniting with his childhood friend Mina Ashiro, a rising star in the anti-Kaiju Defense Force, he decides to pursue his abandoned dream of joining the Force, when he suddenly transforms into the powerful "Kaiju No. 8." An action-packed recap of the first season of Kaiju No. 8 and a new original episode, Hoshina's Day Off.

On a test-run of the Mini Merry, Usopp tells Brook the story of the Going Merry, a ship that served the crew well. However, to the Straw Hats, the Going Merry was not just a ship: It was a priceless, irreplaceable friend. *Scenes have been recreated with brand-new animation.

First compilation movie of the TV series which covers episodes 1-8 with new scenes added for the introduction. It covers the period from when Riko descends into the Abyss with her robot companion Reg, reaching the second layer where they meet the White Whistle Ozen who reveals information about Riko's mother.

Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".

An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.

When a dying friend tells out-of-work salaryman Yosuke about a hidden treasure, he sets off in search of the only clue about its location: a house by a red bridge. What he finds instead is a woman who transcends all his fantasies.

A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.

Pursued by a religious cult and other curse users, former friends Satoru Gojo and Suguru Geto are the only sorcerers capable of carrying the difficult task of protecting Riko Amanai, a student who has been designated to be sacrificed as the Star Plasma Vessel, until she can fulfill her duty.

News about the disappearance of panties is still being covered every day. Kyosuke still wears Aiko Completo's panties to battle evil. Meanwhile, Aiko has mixed emotions and decides to get her panties back. Kyosuke suffers from the loss of Aiko's panties and disappears, but his biggest enemy yet is about to materialise.

The life of Tatsuya, a young man of proper yet mysterious descent, whose outward respectability hides his urges for rape and torture.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.