dans la solitude des champs de coton

A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.

This documentary revisits the French football team's controversial 2010 World Cup and the bus strike that sparked global headlines and national outrage.

From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.

A woman who is unfairly institutionalized at a Paris asylum plots to escape with the help of one of its nurses. Based on the novel 'Le bal des folles' by Victoria Mas.

The aquatic adventure of the highly influential and fearlessly ambitious pioneer, innovator, filmmaker, researcher, and conservationist, Jacques-Yves Cousteau, covers roughly thirty years of an inarguably rich in achievements life.

Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.

Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers?

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.