Untitled remake of Leaving the Lumière Factories

This remake of the beloved classic follows the raucous exploits of a blended family of 12, the Bakers, as they navigate a hectic home life while simultaneously managing their family business.

A father and daughter are on their way to dance camp when they spot the girl's best friend on the side of the road. When they stop to offer the friend a ride, their good intentions soon result in terrible consequences.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Three friends try to save their mummified friend, Harold, from greedy criminals by returning him to his resting place before midnight on Halloween.

An orphan little girl befriends a benevolent giant who takes her to Giant Country, where they attempt to stop the man-eating giants that are invading the human world.

Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.

Life seems easy for picture-perfect couple Ivy and Theo: successful careers, a loving marriage, great kids. But beneath the façade of their supposed ideal life, a storm is brewing – as Theo's career nosedives while Ivy's own ambitions take off, a tinderbox of fierce competition and hidden resentment ignites.

After a morally-bankrupt company tries to weaponize a brilliant scientist's revolutionary technology, he goes off the grid to safeguard humanity. When the company sends a strike force to find him, they make their biggest mistake of all – they weaponize the man they are trying to catch.

Michael Harding returns home from military school to find his mother happily in love and living with her new boyfriend, David. As the two men get to know each other, Michael becomes more and more suspicious of the man who is always there with a helpful hand. Is he really the man of her dreams or could David be hiding a dark side?

Paul, is an ordinary man who divides his life between his shipbuilding company, his wife Elise and their daughter Mia. During a sea trip, Paul finds himself confronted with a strange, unexplained meteorological phenomenon. From then on, Paul shrinks inexorably, without science being able to explain why or be of any help to him. When, by accident, he finds himself a prisoner in his own cellar, and while he is only a few centimeters tall, he will have to fight to survive in this banal environment that has become perilous. During this experience, Paul will find himself confronted with himself, with his humanity, and will try to answer the great questions of existence.

In 18th-century France, a young man masquerades as an actor to avenge his friend's murder.

After an attack leaves him in limbo -- invisible to the living and also near death -- a teenager discovers the only person who might be able help him is his attacker.