Il capitano di Venezia

Bruno Salvati is a director of little success, fresh from the separation from his wife Anna with whom he had two children, the twenty-year-old Adele and the seventeen-year-old Tito. Following a sudden illness, Bruno is diagnosed with a disease that requires the intervention of a donor. All his family relationships are called into question, including that with his father Umberto, the custodian of a secret that will force Bruno to embark on a journey in search of someone who can help him.

Under provincial Italian law at the time, once a roof is erected, the occupants cannot be evicted from a building. This film follows the efforts of a family to erect the roof on a house overnight so that a newlywed couple can have their own home.

Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.

A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.

Based on the true story of a black girl who was born to two white Afrikaner parents in South Africa during the apartheid era.

The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.

Gioia is a high school teacher who has never known any other love than the oppressive bond with her own parents, with whom she still lives. One of the students at her school, Alessio, is cashing in on his own body to make a couple of hundred euros to help his mother, a cashier in a supermarket. The relationship that dawns between Gioia and Alessio is forbidden fruit, fragile yet, inexplicably, one they can’t do without. Still, Alessio’s desire to improve his social standing is a silent killer that prevents him from ultimately accepting Gioia’s surprising affection for him. He goes and destroys it all, cancelling the only person who has ever loved him.

In New York City, six-year-old Maisie is caught in the middle of a bitter custody battle between her self-absorbed parents—an aging rock singer mother and a distracted art dealer father. As both quickly marry new partners to strengthen their legal standing, Maisie is shuttled back and forth in an endless game of emotional point-scoring. Yet amid the chaos and upheaval, Maisie begins to find true comfort and affection in her new step-parents.

Antonio, a former shipyard worker, leads a mild and peaceful life: he plays bowls with friends, takes care of his elderly mother, has an ex-wife with whom he is on excellent terms and Emilia, his only and beloved daughter When Emilia announces to him one day that she has decided to get married, Antonio is filled with joy, he can finally fulfill his dream by giving her the reception they have always dreamed of together being able to count on the savings of a lifetime.However, the bank of which he has always been a client seems to be hiding something, the employees are suddenly elusive and the director inexplicably changes constantly.The task of paying for his daughter's wedding will prove increasingly difficult and Antonio will discover, against his will, that those who keep our treasures don't always keep our dreams as well.