Musée haut, musée bas

Ricky Gervais dishes out controversial takes on political correctness and oversensitivity in a taboo-busting comedy special about the end of humanity.

Baptiste, a talented imitator, is unable to make a living from his art. One day, he is approached by Pierre Chozène, a famous but discreet novelist, constantly disturbed by incessant calls from his publisher, his daughter, his ex-wife... Pierre, who needs peace and quiet to write his most ambitious text, then suggests that Baptiste become his 'answering machine' by pretending to be him on the phone... Little by little, Baptiste doesn't just imitate the writer: he develops his character!

Returning for a second Netflix comedy special, Jim Jefferies unleashes his famously ferocious black humor to a packed house in Nashville, Tennessee.

The whole intrigue is centered around carte-blanche documents kept in a vault. Whoever fills in the blank becomes the owner of a revue. Big money is involved. The nephew of the owner of the vault is trying to cheat his uncle and have his name in the documents. Everything is even more complicated because the manager of the bank has a finger in the pie, too. Who but a humble bank-teller (Pierre Richard) will ruin the scheme?

Ricky Gervais entertains a live audience in his first stand-up routine.

In his first special in seven years, Ricky Gervais slings his trademark snark at celebrity, mortality and a society that takes everything personally.

Ricky Gervais tackles life, death and the state of the world in a brutally honest special that spares no topic, even his own mortality.

With his signature pitch-black sense of humor, Ricky Gervais takes the stage at the London Palladium in this provocative stand-up comedy special.

Jimmy Carr refutes the idea that you can't joke about anything these days with his edgy takes on gun control, religion, cancel culture and consent.

Blanche offers us her new stand-up, creation 2018. She spares no one. Not even her own guts, which she still delivers to us smoking on the altar of self-derision.

While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings six months previously, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.