Black Hair, Sliding Door Underlay

Aldin, a vagabond water vendor, embarks of a series of fantastical and tragic misadventures through the Middle East in search of love, fortune, and power.

A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.

Misaki Amemiya is an assistant inspector for the Metropolitan Police Department's Community Safety Bureau who becomes ensnared in a trap while investigating a mysterious illegal video website called "Babylon". Soon, she's bound and tortured along with Shizuko and an oversexed housewife named Ruri.

Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.

The life of Tatsuya, a young man of proper yet mysterious descent, whose outward respectability hides his urges for rape and torture.

This collection of 10 short films produced by Illumination includes: From the "Despicable Me" franchise: Puppy (2013); Minion Scouts (2019); Training Wheels (2013); The Secret Life of Kyle (2017); Santa's Little Helpers (2019). From the "Grinch" franchise: The Dog Days of Winter (2019). From the "Secret Life of Pets" franchise: Norman Television (2016); Weenie (2016). From the "Sing" franchise: Love at First Sight (2017). From the "Lorax" franchise: Forces of Nature (2012).

Doraemon and his friends travel to the 22nd century to look for his golden bell, which was stolen by a notorious thief called Kaito DX.

Rei is a college student in the midst of finding a job. She confesses her love to Mikio, a senior whom she admires. Mikio soon demands that she perform perverted acts.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

An American journalist travels through 19th-century Japan to find the prostitute he fell in love with but instead learns of the physical and existential horror that befell her after he left.

18 years after the mysterious death of her mother, Maya takes religious vows to find out what terrible things happened to her mother inside the Sacred Heart Convent. As soon as the door closes to the nunnery, the nuns start torturing her. She also has to deal with a lecherous archbishops and a lesbian mother superior.

When Barbie, a cosmic princess with a hoverboard, learns that the brightly shining stars have begun to dim, she begins a rescue mission to save the galaxy.