CAN’T KILL US ALL

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Three friends growing up in South Central Los Angeles navigate a neighborhood plagued by violence, unemployment, and crime, each responding differently to the harsh realities of street life. As tragedy strikes close to home, their friendship, choices, and hopes for a better future are put to the ultimate test.

At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.

As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.

Owing to his alleged involvement with communist parties, film director David Merrill is forbidden from working in Hollywood. He decides to fight for his rights and faces numerous challenges.

A drama centered on a go-go dancer with multiple personality disorder who struggles to remain her true self and begins working with a psychotherapist to uncover the mystery of the inner ghosts that haunt her.

This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Bumbling lieutenant Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business.

Jesse Freeman is a former special forces officer and explosives expert now working a regular job as a security guard in a state-of-the-art basketball arena. Trouble erupts when a tech-savvy cadre of terrorists kidnap the team's owner and Jesse's daughter during opening night. Facing a ticking clock and impossible odds, it's up to Jesse to not only save them but also a full house of fans in this highly charged action thriller.

Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on two Indigenous Latino American half-brothers Paco and Cruz, and their bi-racial (half-Indigenous Latino American and half-European American) cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.

Jimmy Carr refutes the idea that you can't joke about anything these days with his edgy takes on gun control, religion, cancel culture and consent.

Los Angeles, California. Officer Murphy, a veteran Metropolitan Police helicopter pilot suffering from severe trauma due to his harsh experiences during the Vietnam War, and Lymangood, his resourceful new partner, are tasked with testing an advanced and heavily armed experimental chopper known as Blue Thunder.