Cinépistolaire - Episode 2

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.

BBC Arena's documentary on the Dames of British Theatre and film featuring Maggie Smith, Eileen Atkins, Judi Dench and Joan Plowright on screen together for the first time as they reminisce over a long summer weekend in a house Joan once shared with Sir Laurence Olivier.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

A renowned Mexican journalist and documentary filmmaker living in Los Angeles, after being named the recipient of a prestigious international award, is compelled to return to his native country, unaware that this simple trip will push him to an existential limit.

Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.

Following a tense encounter with a mysterious stranger with otherworldly powers, a man finds himself banished to a parallel, tyrannical Earth, where he fights to get back to the woman he loves.

Rosa is about to turn 45 and realises that she's always lived her life to serve everyone else. So she decides to leave it all behind, take charge of her life and fulfil her dream of starting her own business.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Gabriel has just moved in with Juan. Shy and reserved, Gabo resists Juan’s wandering hands and intense gaze. With a parade of beauties filing out of Juan’s bedroom, his machismo seems firmly entrenched. Yet, the attraction between the two men is undeniable. What begins as a sexual arrangement born of proximity soon evolves into a captivating, tender, and intimate relationship - one that is as sweet as it is heartbreaking.

A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man.