The G poster

The G

Age isn't a weakness. It's a weapon.

6.8(24)20241h 46m2

After a corrupt legal guardian puts her in a care home in order to take her property, a mysterious older woman seeks vengeance with the help of her granddaughter, who calls her 'The G'.

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Status
Released
Budget
—
Box office
—
Language
English
  • corruption
  • elderly
  • angry
  • vengeance

Top billed cast

Behind the camera

Produced in

Canada

Where to watch

Availability for United States. Provided by JustWatch through the TMDB API.

Stream

Buy

Gallery

Still from The GStill from The GStill from The GStill from The GStill from The G

Videos

Release dates

  • United StatesUS

    • PremiereNewport Beach Film Festival19 Oct 2024
    • Theatrical (limited)27 Jun 2025
    • Digital / OTT27 Jun 2025
  • United KingdomGB

    • PremiereGlasgow Film Festival29 Feb 2024
    • Theatrical157 Jun 2024
    • Digital / OTT1519 Aug 2024
    • Physical15Blu-ray & DVD19 Aug 2024
  • ColombiaCO

    • PremiereFantasmagoría - Festival de Cine Fantástico y de Terror de Medellín17 Oct 2024
  • EstoniaEE

    • PremiereTallinn Black Nights Film Festival11 Nov 2023
  • IrelandIE

    • Theatrical15A21 Jun 2024

Frequently asked questions

The G was released on 7 June 2024.

Audience reviews

2
  • C

    CinemaSerf

    6/22/2024

    6/10

    From the look of the posters, this ought to be a film about a Polish gangster! Instead, it's about the curmudgeonly, vodka-swilling, "Ann" (Dale Dickey). It's really only her grand-daughter "Emma" (Romane Denis) who takes any interest in her as she goes through life with her incapacitated husband "Chip". Asleep one night, their home is invaded by people armed with a court order that puts them into a legally binding g…

  • T

    towang

    7/4/2024

    9/10

    Good film. Here's what the Fantasia Film Festival says about it: After decades as a character actor in countless films and TV series (winning numerous awards in the process), Dale Dickey takes centre stage in THE G, delivering a performance fierce and flinty enough to give Eastwood or Bronson pause (and certainly more subtle than either). Like Dickey’s turn as Ann, Montreal director Karl R. Hearne’s second feature …

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