Dos Caras a la Luz de la Luna

The Jester is the titular main antagonist of the horror/thriller analogy short films of the same name. He is an enigmatic and malevolent being who enjoys inducing suffering to individuals he comes across who don't appreciate his own tricks or break the rules of Halloween.

Responding to an urgent call for help, a police officer becomes trapped by the evil spirits of a cursed house.

After a young couple moves into a remote farmhouse with their infant son, the woman's struggles with postpartum psychosis begin to intensify... as the house reveals secrets of its own.

A fashion designer suffers from a mysterious illness that puzzles her doctors and frustrates her husband until help arrives in the form of a Filipino caregiver who uses traditional folk healing to reveal a horrifying truth.

Like any other teenage girl, Tara is just surviving high school — yet her father and mother seem strangely distant. Amidst a nearby spree of gruesome ax murders, Tara has sightings of terrifying entities, forcing her to question her own sanity and shocking ancestry.

As a police officer investigates the gruesome murder of her colleague, she discovers that a mysterious supernatural force is behind it.

After the disappearance of his troubled friend, American Chris Rivers travels to the remote Welsh countryside to investigate what happened – leading him to a dark apocalyptic cult.

Locked in a school closet during Halloween 1962, young Frank witnesses the ghost of a young girl and the man who murdered her years ago.

Follows an "ultra-violent and intelligent" psychopath who challenges the police by leaving a white paper rabbit at each crime scene, connecting them all.

The Jester returns in this sequel short film to continue to spread his Halloween cheer.

After a couple finds a traumatized child of unknown origins, wife Paula must decipher the girl's strange behaviors to unlock her identity and dark past.

Martha Travis is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows...