The Quarter Life Dolphins

Three eclectic, never-quite-famous folk bands come together for the first time in decades following the death of their manager to put on an reunion concert in his honor, at the request of his son.

A 16-year-old girl takes her parents hostage after they miss her big jump-roping competition.

Ali G, Aiii, is a 100 minute compilation of the highlights of Da Ali G Show, plus 30 minutes of unseen and uncensored material that was too hardcore for TV.

The now estranged bandmates of Spinal Tap are forced to reunite for one final concert, hoping it will solidify their place in the pantheon of rock 'n' roll.

For teenage misfits Hunter and Kevin, the path to glory is clear: Devote themselves to metal. Win Battle of the Bands. And be worshipped like gods.

A seemingly perfect family moves into a suburban neighborhood, but when it comes to the truth as to why they're living there, they don't exactly come clean with their neighbors.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

A group of teens hit the road in a stolen driver's ed car, racing against time to help a lovesick high school senior track down his college-freshman girlfriend and win her back.

Ty was a frustrated toy salesman until his collaboration with three women turned his stuffed animals into a defining '90s trend. This behind-the-scenes look at history's biggest toy craze is a wild story about what—and who—is valued in this world.

I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the film follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

The film tells futurist, architect, and inventor R. Buckminster Fuller's incredible story through two teens hoping to get laid, become punk gods, and survive high school.

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.