Reversal Rotation

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

An ecological drama/documentary, filmed throughout the globe. Part thriller, part meditation on the vanishing wonders of the sub-aquatic world.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.

A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.

Sea life in a whole new way. Deep Sea 3D, an underwater adventure from the filmmakers behind the successful IMAX® 3D film Into the Deep, transports audiences deep below the ocean surface. Through the magic of IMAX®; and IMAX 3D, moviegoers will swim with some of the planets most unique, dangerous and colorful creatures, and understand this inspiring underworld.

Short film made with the help of the Sundance Film Institute and serving as a proof-of-concept for the subsequent feature film.

Follow the production of “Black Panther: Wakanda Forever” as the cast and crew take on the incredible challenge of remembering T’Challa with a chapter befitting the late king. Through intimate behind-the-scenes footage and interviews, watch Shuri take on the mantel of Wakanda’s hero and face a new foe from the ocean’s depths in Namor.

A look behind the lens of Christopher Nolan's space epic.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.

A visual montage portrait of our contemporary world dominated by globalized technology and violence.