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The Book of All the Dead

The Book of All the Dead, R. Bruce Elder's 42-hour-long first cycle, gathers films he made between 1975 and 1994.

Breath/Light/Birth poster
NR

Video transformations of documentary footage of a woman giving birth, assisted by members of a religious commune. Isolation confronts the communal, the gruesome confronts the holy in this most mysterious of events.

Breath/Light/Birth

1975

She Is Away poster
NR

"evokes absence through elliptical continuity and loneliness through the repetition of ... archetypal images" Ian Birnie

She Is Away

1975

Permutations and Combinations poster
NR

A close container for chance elements. Together with She Is Away, makes apparent some features of the material form of which the entire cycle would be composed.

Permutations and Combinations

1976

Barbara is a Vision of Loveliness poster
NR

The optical manipulation of tone, shape, line and movement creates a purely cinematic choreography.

Barbara is a Vision of Loveliness

1976

Look! We Have Come Through! poster
NR

"a revelation of the editing process ... done with remarkable care and precision ... The interrelationship between moving body and moving camera is heightened to the intensity of a struggle." Joyce Nelson

Look! We Have Come Through!

1978

The Art of Worldly Wisdom poster
7.2

A compelling and revealing exploration of one person's psyche in crisis.... The film is a screen diary of a man in his early 30s afflicted with a life-threatening disease, a man confronting his own mortality.

The Art of Worldly Wisdom

1979

Sweet Love Remembered poster
6.7

Inspired by remarks made by Freud, "Eros nowhere makes its intentions more clear than in the desire to make two things one." and by Nietzsche, "What must these people have suffered to have become this beautiful."

Sweet Love Remembered

1980

Trace poster
NR

The memory of a nearly perfect evening.

Trace

1980

1857 (Fool's Gold) poster
7.7

This film is an act of celebration ... He produces -- with light and colour, sound, stillness and movement -- the ineluctable rhythm and energy of the natural world.

1857 (Fool's Gold)

1981

Illuminated Texts poster
7.3

"Breathtaking in its techniques, rhapsodic in its passion, and encyclopedic in its scope, the film traces the long fall from paradise into modern barbarism." - Art Gallery of Ontario

Illuminated Texts

1982

Lamentations: A Monument to the Dead World, Part 1: The Dream of the Last Historian poster
NR

Like Ezekiel's vision in the valley of the dry bones, a typos of a new beginning. In among all the feelings of loss and deprivation there occur intimations of final culbute général, of the dissolution of time, of a now that vanishes between the no long and the not yet.

Lamentations: A Monument to the Dead World, Part 1: The Dream of the Last Historian

1985

Lamentations: A Monument to the Dead World, Part 2: The Sublime Calculation poster
NR

No synopsis available yet.

Lamentations: A Monument to the Dead World, Part 2: The Sublime Calculation

1985

Consolations (Love Is an Art of Time) Part 1: The Fugitive Gods poster
NR

"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa

Consolations (Love Is an Art of Time) Part 1: The Fugitive Gods

1988

Consolations (Love Is an Art of Time) Part 2: The Lighted Clearing poster
NR

"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa

Consolations (Love Is an Art of Time) Part 2: The Lighted Clearing

1988

Consolations (Love Is an Art of Time) Part 3: The Body and the World poster
9.0

"Elder's most philosophical film ... subtly woven connections ... proceed under a contemplative regime" that "solicits the memories of the whole cycle in more delicate ways." Bart Testa

Consolations (Love Is an Art of Time) Part 3: The Body and the World

1988

Flesh Angels poster
7.0

"A beatific vision of the imaginary landscape of paradise, inspired by the poetry of ... Blake." Pacific Cinematheque

Flesh Angels

1990

Newton and Me poster
NR

Newton was the greatest of all the natural magicians, learned in matters musical, theological and in Apocalyptic literature. He believed bodies were composed of "certain aetheral spirits or vapours"; one ... is the ether, "the succus nutritius of the earth, or primary substance"; the second substance disseminated through the first, is light.

Newton and Me

1991

Azure Serene poster
NR

"Inspired by the poems of Rainer Maria Rilke, Louis Zukofsky and Ezra Pound ... Elder's latest film .. is a visually lush collage," and "ironic attempt to construct a Divine Comedy for modern times." Jim Shedden

Azure Serene

1992

Exultations: In Light of the Great Giving poster
NR

The titular film of region three of Elder's Book of All the Dead

Exultations: In Light of the Great Giving

1993

Burying the Dead (Into the Light) poster
8.0

The confrontation with death and finitude....Death animates the sense of the intimacy of life whose measureless flow is a danger to the stability of things. (RBE)

Burying the Dead (Into the Light)

1993

Et Resurrectus Est poster
7.0

"Behold, I show you a mystery. Not everyone shall sleep, but everyone shall be changed."

Et Resurrectus Est

1994