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NRThe film follows a classic fantasy-adventure and folkloric style characteristic of Babubhai Mistry's work (known for trick photography and mythological/fantasy cinema). The story features elements of street performance, illusion, and mystical peril—showcasing a madari (street juggler/snake charmer) who performs feats with animals like snakes and parrots, claims to read people's inner thoughts and hearts, and gets entangled in a dramatic adventure involving a mythical villain, distressed villagers, and a quest to rescue captives from a mysterious pit or lair.
Madari
1959
7.3Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
Mera Naam Joker
1970
7.0A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
Mother India
1957
NRThe story revolves around Raajgarh, a hill station town with an old legend about massive ancestral wealth buried to protect it from attackers. Explorers frequently visit to find the treasure, facing mysterious circumstances.
Khooni Khazana
1964
7.2A petty thief is put on trial for the attempted murder of a lawyer. Through a series of flashbacks, the intertwining lives of the thief, the lawyer, and the thief's defense lawyer are illustrated.
Awaara
1951
7.5The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.
Shree 420
1955
NRThe narrative follows Princess Sukanya, the daughter of King Sharyati, who crosses paths with Chyavan, a young ascetic (tapasvi) with a vow to right a wrong done to the Ashvini Kumars by Indra. Due to the twists of destiny, Sukanya accidentally blinds and causes Chyavan to age into infirmity, marrying him in his broken state. Refusing to let destiny break their spirits, Sukanya rises as a devoted wife to fulfill her husband's mission, restore his youth and eyesight, and bring the three worlds—Akash, Prithvi, and Patal—to their door.
Naag Mani
1957
9.0At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.
Ardhangini
1959
9.0The story is of a family consisting of a mother and her five sons. A relative causes discord. The mother argues they need to stay united like the walls of a room to avoid collapse.
Hamara Ghar
1950
6.3A series of unfortunate events cause a recent migrant into Bombay to turn to a life of crime.
Yaar Mera
1972
6.0A wealthy widow refuses to leave anything to her selfish son. In order to win her affection, he introduces her to his fiancee, Deepali, who is a girl he hires to play the part.
Aan Milo Sajna
1970
9.0Siblings Rakhi and Raju are orphaned at a young age but grow up to become successful entrepreneurs. However, petty differences over their earned wealth and property threaten to ruin their bond.
Rakhi
1962
7.3Vijay, a destitute poet, searches for true love while attempting to get his work published. With the assistance of two women in his life, his dream comes true - but at a cost that causes Vijay to rethink his worldview.
Pyaasa
1957
6.8Peter (O. P. Ralhan) and Kitty (Helen) love each other, but due to Peter's poverty, they are unable to marry each other. One day, during a secret rendezvous, Peter accidentally overhear a conversation between one Mahesh Jetley and his paramour, where Mahesh tells her that he is soon going to bump off his wife on a certain date. Peter and Kitty decide to foil this man's plans. However, there are 2 problems: 1 - They have not seen Mahesh or his paramour's face. 2 - Even if they had, no one would believe their story. Hence, the lovers decide to do a little investigation on their own. They find three Mahesh Jetleys. On some snooping, they find that each man is married and each of them has a miserable married life. To find their suspect, they devise a plan whereby they will stage an attack on each man's wife. Whoever the culprit is, will freak out and his identity will be revealed.
Hulchul
1971
8.0Centering on the institution of marriage, this gripping family drama explores the turmoil faced by a woman whose very existence is challenged by deceit and betrayal, forcing her to fight for her honor and her rightful place as a true Wife (Biwi).
Biwi
1950
6.0A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.
Dil Apna Aur Preet Parai
1960
5.4Two close friends, Munish and Jai, with unbreakable bond become rivals when they both fall in love with the same woman, Meena. When Jai gets falsely accused in a case involving a collapsed railway bridge, Munish has to decide if he should put their rivalry aside to help and save once close friend Jai.
Aadmi Aur Insaan
1969
7.0Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.
Anand
1971
8.3Widower Ram Kapoor frequently throws lavish parties to overcome his loneliness. That changes when his son, Rajesh, returns home with a proposition. Ram's life soon spirals out of control.
Kal Aaj Aur Kal
1971
6.0A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.
Neel Kamal
1968





































































